Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Canaletto
Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 1) df

ID: 05679

Canaletto Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 1) df
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Canaletto Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 1) df


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | (in alto a destra) Giambattista Piazzetta e Giovanni Battista Cimaroli (mk21) | basino san marco venedig | The Piazzetta Looking towards the Torre dell Orologio | Mestre fg | The Grand Canal with the Rialto Bridge in the Background (detail) |
Related Artists:
Erich Heckel
German 1883-1944
Saloman van Ruysdael
1600-1670 Dutch Saloman van Ruysdael Gallery
Richard Redgrave,RA
1804-1888 Painter, etcher and administrator, brother of (1) Samuel Redgrave. He trained initially as a clerk and draughtsman in his father's counting-house before becoming a student at the Royal Academy Schools in 1826; he also studied with John Powell. About 1830 he left his father's firm and supported himself as a drawing-master, working in watercolour before attempting to paint in oil. He exhibited at the Royal Academy from 1825 until failing eyesight afflicted him in 1883. He was elected ARA in 1840 and RA in 1851.






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